BEHIND THE LENS

MEET ANDREW

I came to photography from sound design. That probably sounds like a detour. It wasn’t.
In sound, you learn quickly that silence is as important as what fills it. That a room sounds different depending on what you choose to leave out. That the work isn’t about capturing everything — it’s about deciding what matters.
Film photography works the same way. Every frame costs something. You can’t shoot your way into a great picture — you have to be present enough to know when the picture is already there.

“The best photographs don’t make you choose between beautiful and real. They just feel like memory — and they stay that way.”

I shoot a mix of film and digital, and I lean hard into the things most photographers try to correct: grain, color shifts, light that bleeds at the edges. Not because I think imperfection is interesting in itself, but because that’s what photographs look like when they feel honest.
If you’ve made it this far, you probably already know whether we’re a fit. I’d like to think you do. If you want to find out for sure, I’m easy to reach.